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 Tom is a member of River Writers, a local writers' group. He has included a couple of his favorite stories....


Dream Baseball

© 2002  by Tom Kablik

        

I’m Tommy Kaye, pitching coach for the Triple A Phoenix Flyers. The hot coffee cup feels good against my arthritic thumb, all I’m left with after my seven year career.  I was a journeyman pitcher with two years in the majors. 

It’s opening day and 39 degrees a half hour before gametime. The American flag is whipping straight out at the fence in center field. The crowd is sparse except for the regulars.  In the box seats nearby are two old lawyers. Spoke with them once-- a professor who always wears a turn of the century baseball cap, and a white haired guy in solo practice, still in the trenches.  I envy them, enjoying the game without all the work, like vacationers who never have to mow the lawn or paint the cottage. 

I lean against the rusted pipe railing of the dugout, made fresh with this year’s coat of rustoleum. At the other end of the bench, the manager is talking with his catcher. The words are inaudible but I can hear the snap/pop of his bubble gum. Pre-game drill is over; the rest of the team is in silent formation.

I glance over at today’s starter, Willy Schmidt, a one-pitch wonder. I’ve spent the last five weeks coaching him.  It was like teaching the alphabet to an illiterate.

What Schmidt doesn’t know, but I do, is just how fickle fate is. My exit from the majors was not triggered by a poor season. My departure came from a five player trade that would have put the team over the player limit, so I had to go.  Shortly after my return to the minors, a strained groin muscle sidelined me. I knew it was over. But luck then smiled on me as the Flyer’s pitching coach had a massive coronary.  I made a move of sheer brass, offering myself as his replacement, despite my complete lack of coaching experience.  And here I am, a coach for twice as long as I was a player.

My mind flashes to my best moments on the mound, dueling with a batter trying to own the plate:  his body crunches into to the strike zone, his bat oscillates in anticipation. My silent voice says, “Smoke him inside!”  The ball steams from my hand, and sends him reeling from the batter’s box, my unstoppable moment.

“Hey, Tommy!  Get Alive!!”  Bo Howard brings back the day.  The veteran third base coach had fewer shots at the big time than I; he was black when it didn’t help.

“Thinkin’  ‘bout the old times?  I know that one.  You had it written all over your face.”  He laughs between breaths, “ I read your face like a book. . . I can read, you know,” he chuckles.  “You know how it goes.  It’s  ‘Who izz  Bo Howard. . .Gemme  Bo Howard!. . .Gemme a Young Bo Howard….Who the hell izz Bo Howard!”

I slap him on the back.

 “You’re damn right, Bo!”

The PA system blares,    “ Oh, say can you see. . . .”

The players are lined up, caps over their hearts. Hypnotized eyes fix on the pulsating flag. 

A jolt of energy flows through me as my body hears the words, “PLAY   B A L L!” 


My Toy Airplane

By Tom Kablik © 2006

 

“Airplane” is like the color “red”, signaling danger or excitement, depending on the seer.  Or it may just mean “motion”--ecstasy to a young roller coaster fan, or pure dread to an adult. I remember my bedroom moving in a dizzy circle, when lifting my head off the pillow was agony.

Let me share my morning in Cessna 113PF (Poppa Fox).  I take passengers only when the air is smooth. . . like taking the bus.  Today’s no bus ride.

The flight begins before reaching the airfield. I watch the flags in front of buildings. Are they turning lazily or snapping straight out?  The smoke stack of the power plant belches out a gray cloud. I watch its direction and how quickly it moves. As I walk toward 113 Poppa Fox I observe if the wind is steady. A firm wind is easy to handle, not so with surprise gusts.

Next is the machine itself: tires are checked for damage by a prior renter. The fuel lines are checked for condensation water from a near empty tank. I make a call for a “top off”. A radio check revealed imperfect contact with the tower. The tips of the headsets are lightly cleaned with an eraser solving the problem.

The engine starts with a roar. No more freezing winter mornings. After a check-in with the tower, it’s a sweet taxi to the run up area next to the runway. There, despite 20 years of flying, I use a written check list. Everything from magnetos to gages checks out fine. The trim lever looks OK (that determines how quickly you lift from the runway).  Take-off is a thrill as I slowly push the throttle to the firewall and gather speed down the runway. I make the plane follow the center line. All at once I feel the plane lifting prematurely. I push down on the yoke to compensate, keeping the plane on the ground until I hit 55 knots.  An earlier take off will crash the plane because the proper wind flow (barometric pressure) over and under the wing will not established--Bernoulli’s principle of physics.

What a day! The air is so clean the plane climbs at twice the summertime rate. Soon I’m at 2000 feet. In a glance I see the city below and Long Island Sound to my south. Takeoff challenges behind, the flight becomes pure enjoyment. At 3,000 feet I feel connected with everyone below because nothing escapes my endless gaze. Thousands of feet above me are vapor trails from jet planes. I feel a kinship despite the distance.

Super visibility means mean thermal currents. I have to steer suddenly to cope with them. A thermal hit and I jump off my seat, a “seat popper”.  When I was a student pilot they were scary, now they’re fun. Also riding the thermals are birds a few hundred feet below, flying past me sideways. 

I fly over my house (a marking ritual of sorts). Surprise--There’s an unknown white car in my driveway. Will have to check that out later. Then on to the ocean, deep blue water, green at the edges.  The surface fiefdoms of Old Saybrook, Westbrook, Clinton, and Madison become a smooth unity. I spy a hidden trail to a sand beach at Hammonaset. I want to share the secret with my wife some warm Saturday when we drive there.

Time to head back. Over the mouth of the Connecticut river at two thousand feet the air is so clear that all at once I see New Haven to my left, New London to my right, and Hartford straight ahead. I cannot believe my eyes! I can even see the thin smoky plume of the Hartford power plant!

Fun trails off as I near the airport. I listen to the updated weather information. No Wind? I’m getting pushed all over the place!!   Early on I learned not to believe any report different from what I’m experiencing. I am happy that under 1000 feet the bumpiness ends. I am cleared for a straight in landing.  Totally concentrating on the landing, I watch my airspeed, change the wing flaps as necessary. I stare at the runway numbers, adjusting my speed and angle of descent to maintain a constant flight path. Closer to the runway  I cross the river and dike.  The plane bumps hard, something I am used to.  Add just a touch of power to compensate, then ease off to my prior setting. I glide to the numbers at that same angle, keeping the right airspeed. I am down to fifteen feet above the runway. I must be careful to keep the plane going in a straight line, and compensate for any right or left push by the wind.  I slowly sink to five feet off the runway.  This is a most critical point. I pull up the control gently to make the last feet of sink as gradual as possible.  Too quick a drop and it’s a “banger”,  a hard landing that could blow a tire or worse. If my touch is perfect, the landing’s a “squeaker” as the tires kiss the tarmac. My landing is a good one--not quite a squeaker, definitely not a banger.

My dry mouth closes. The tower tells me to turn off the runway onto to the taxiway. One more time, after a thousand other landings, I have dodged the winds and fates to fly another day.



Tom Kablik: Pilot of Patience and Reason